With purchase of the Eventide 910 Harmonizer plugin, you also get access to the D ual Harmonizer option, which emulates two Harmonizers being stacked side-by-side. Chock-full of hundreds of presets, including those created by renowned artists, the plugin works like a charm, adding thickness and complexity to drums, harmonies to vocals, and de-tuning to synths. Now, more than 40 years later, Eventide has released a Plugin version of the H910. After a few iterations of the H910, Eventide released the H3000, which was lauded by producers like Brian Eno, who wrote a letter to Eventide in 1992 telling them that the H3000 “is the best designed and most enjoyable piece of equipment I’ve ever owned.” The H3000 is different from the original H910 in that it has a simple jog wheel on the front, as well as a plethora of other notable features like stereo shift, dual shift, layered shift, swept shift, reverse combos and swept reverb.
But, like most hardware, it was expensive. The Harmonizer revolutionized music making in ways that are undeniable: never before were textural details like this possible. The delay time went up to 112.5 milliseconds, and could be executed by a keyboard remote-control to trigger half-step changes. This multi-effect combination of feedback, delay, and pitch correction simultaneously, could be manipulated to change pitch in half-steps. There was nothing quite like it back in the day when it was first released, in 1974. U nique in the ways that it works with sound, the harmonizer combines delay and feedback with glitch-free pitch correction. Eventide made a name for themselves with the H910 Harmonizer – the first ever digital effects processor.
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